payload log_name Rewriting description Tracing data type DEBUG source_

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{
"payload":{
"log_name":"Rewriting",
"description":"Tracing data.",
"type":"DEBUG",
"source_id":"5d4162795a20a50018203a44",
"fields":[
{
"key":"A meeting was taken with Atlantic, but – at the behest of her producer and other team members, says Kiesza – “it was always going to be Island”.",
"result":[
{
"original":"A meeting was taken with Atlantic, but â ⁇ at the behest of her producer and other team members, says Kiesza â ⁇ â ⁇ it was always going to be Islandâ ⁇ .",
"paraphrases":[
{
"editdistance":0.3727810650887574,
"alt":"A meeting was held with Atlantic, but at the request of its producer and other team members, Kiesza says it was always going to be Iceland. She says it was always going to be Island.",
"score":0.4409438371658325,
"segs":[
]
}
]
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]
},
{
"key":"After three and a half years of cooperation, Kiesza concluded her contract with Crush and submitted a full concept album.",
"result":[
{
"original":"After three and a half years of cooperation, Kiesza concluded her contract with Crush and submitted a full concept album.",
"paraphrases":[
{
"editdistance":0.6748971193415638,
"alt":"Kiesza has finished her contract with Crush after three and a half years of cooperation and produced a full concept album.",
"score":0.43295055627822876,
"segs":[
]
}
]
}
]
},
{
"key":"An agreement was reached with Iceland and then David Massey in early 2014.",
"result":[
{
"original":"An agreement was reached with Iceland and then David Massey in early 2014.",
"paraphrases":[
{
"editdistance":0.4861111111111111,
"alt":"In early 2014, an agreement was reached with Iceland and David Massey.",
"score":0.2662750780582428,
"segs":[
]
}
]
}
]
},
{
"key":"As for Kiesza’s past? She’s learned harsh lessons she says she’ll never forget.",
"result":[
{
"original":"As for Kieszaâ ⁇ s past?",
"paraphrases":[
{
"editdistance":0.56,
"alt":"As for the past of Kiesza?",
"score":0.4015461504459381,
"segs":[
]
}
]
},
{
"original":"Sheâ ⁇ s learned harsh lessons she says sheâ ⁇ ll never forget.",
"paraphrases":[
{
"editdistance":0.3870967741935484,
"alt":"She's gathered tough lessons, she says she's never forgotten.",
"score":0.49136242270469666,
"segs":[
]
}
]
}
]
},
{
"key":"As per High Time’s standard artist deals, Kiesza will now see her management, label, branding, sync and live activities all handled by a single global team.",
"result":[
{
"original":"As per High Timeâ ⁇ s standard artist deals, Kiesza will now see her management, label, branding, sync and live activities all handled by a single global team.",
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"key":"Kiesza credits David Massey with introducing her to Stuart Price, who is now working with her on new material – including new single Phantom Of The Dancefloor, out August 10, which ambitiously mixes operatic trills, gothic meltdowns and a deep-wobble house chorus.",
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"key":"She adds: “I was working with a new product manager, because [Island] blamed my old product manager and A&R for why things weren’t working. And one day, when I was in the studio, I got a text which said: ‘I don’t think your vision for you is in alignment with ours.’",
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"key":"She is full of positivity for the second phase of her career, but also free to tackle a difficult question – one which which major-signed acts typically never get to publicly answer: \u2028How did a bright new talent get so buried, so quickly, after contractually committing herself to the upper echelons of the music business?",
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"key":"Sound Of A Woman was eventually released, with muted support, as Kiesza’s fourth single on May 2015 – over a year after Hideaway had taken charts and dancefloors by storm.",
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"key":"That’s certainly what her New York label, Island Records, was telling her – and for good reason.",
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"key":"The lowest point came in the months following Sound Of A Woman’s release.",
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"key":"Today, however, Kiesza has good reason to believe in the future – and a new, effusive champion in Carl Hitchborn.",
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"key":"‘I don’t think your vision for you is in alignment with ours.’",
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"original":"â ⁇ Because Hideaway was still going so fast, the label was like, â ⁇ It needs to go straight to radio [in the US],â ⁇ instead of building it organically and allowing some time for the sound to crossover,â ⁇ she says.",
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"original":"â ⁇ But I worry about the other 99% â ⁇ there are hundreds of those artists out there stuck in a system that isnâ ⁇ t fair and doesnâ ⁇ t listen to them.",
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"key":"“But from that day forward,” she claims, “I didn’t hear another honest word from my label.”",
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"key":"“But the label insisted on the exact same strategy for Hideaway, repeated – even though we told them it wouldn’t work. We knew that [break] would only enable people to live organically with it over time. And when the song didn’t build as fast as Hideaway they just panicked and did nothing.”",
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"original":"â ⁇ But the label insisted on the exact same strategy for Hideaway, repeated â ⁇ even though we told them it wouldnâ ⁇ t work.",
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"key":"“Creativity is very often the only way they know how to connect themselves to the world.”Music Business Worldwide",
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"key":"“From that day forward, I didn’t hear another honest word from my label.”",
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"key":"“Here’s what often gets forgotten: when you take an artist and you roadblock their creativity, you are destroying them – in essence you are suffocating their soul.",
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"original":"â ⁇ Hereâ ⁇ s what often gets forgotten: when you take an artist and you roadblock their creativity, you are destroying them â ⁇ in essence you are suffocating their soul.",
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"key":"“Hideaway was like a unicorn – it wasn’t a normal situation,” she tells MBW.",
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"original":"â ⁇ Hideaway was like a unicorn â ⁇ it wasnâ ⁇ t a normal situation,â ⁇ she tells MBW.",
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"key":"“I can’t say there aren’t people being innovative and attempting to change the system from within – I have a friend running Columbia Records now [Ron Perry] who is changing things because he’s creative and from an independent background. But, in general, that whole system needs to evolve – especially because consumers today want so much, so often.”",
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"original":"â ⁇ I canâ ⁇ t say there arenâ ⁇ t people being innovative and attempting to change the system from within â ⁇ I have a friend running Columbia Records now [Ron Perry] who is changing things because heâ ⁇ s creative and from an independent background.",
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"key":"“I couldn’t get my manager on the phone, so I ended things through a text message,” she says. “No-one from the team called or touched base with me afterwards. It was unbelievable.”",
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"key":"“I saw people I really trusted turn into these monsters – almost overnight. The whole experience was very stressful and frightening.”",
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"key":"“I think it’s because, while everyone wants you to do what they want, they’re also kind of afraid of you – there’s this fear on every level.",
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"original":"â ⁇ I think itâ ⁇ s because, while everyone wants you to do what they want, theyâ ⁇ re also kind of afraid of you â ⁇ thereâ ⁇ s this fear on every level.",
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"key":"“I was crushed.”",
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"key":"“I wrote over 100 songs [at that time] but only had one of my own songs – that wasn’t a feature or collaboration – released,” she claims. “It went out without a proper plan, and in every business in the world, planning is everything.”",
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"original":"â ⁇ I wrote over 100 songs [at that time] but only had one of my own songs â ⁇ that wasnâ ⁇ t a feature or collaboration â ⁇ released,â ⁇ she claims.",
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"key":"“If I could go back in time, I never would have signed to a major label,” she comments.",
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"key":"“It was really stressful, walking into rooms when there’d clearly been an argument going on – at which point it would fall silent. I was invited to visit me for a meeting once. It’s so strange.",
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"original":"â ⁇ It was really stressful, walking into rooms when thereâ ⁇ d clearly been an argument going on â ⁇ at which point it would fall silent.",
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"original":"â ⁇ It was the same for the label, my management and on tour: you start getting treated like a porcelain doll, or a baby.",
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"key":"“It’s very lonely and isolating when your entire social circle relies on you for income. You’re travelling the world with these people, you sometimes spend 24 hours a day together, and yet on some level, they all remain strangers.”",
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"original":"Youâ ⁇ re travelling the world with these people, you sometimes spend 24 hours a day together, and yet on some level, they all remain strangers.â ⁇ ",
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"original":"â ⁇ Itâ ⁇ s very lonely and isolating when your entire social circle relies on you for incomeâ ⁇ You start getting treated like a porcelain doll, or a baby.",
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"key":"“Kiesza’s experience is a clear example of how the traditional music industry is not really designed for artist development – it’s designed to focus on quick hits,” argues Hitchborn (pictured with Kiesza). “There is no consideration for the human element of a person’s career.”",
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"original":"â ⁇ Kieszaâ ⁇ s experience is a clear example of how the traditional music industry is not really designed for artist development â ⁇ itâ ⁇ s designed to focus on quick hits,â ⁇ argues Hitchborn (pictured with Kiesza).",
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"original":"â ⁇ There is no consideration for the human element of a personâ ⁇ s career.â ⁇ ",
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"key":"“No-one from the team called or touched base with me afterwards. It was unbelievable.”",
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"original":"â ⁇ No-one from the team called or touched base with me afterwards.",
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"original":"It was unbelievable.â ⁇ ",
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"key":"“None of these people were bad people – I think they were completely ruled by fear when things were new or uncertain.",
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"original":"â ⁇ None of these people were bad people â ⁇ I think they were completely ruled by fear when things were new or uncertain.",
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"key":"“They all freaked out because it wasn’t Hideaway,” she says. “I told them it was going to take longer, because we’d started to notice that it was gradually becoming a super-fan favorite; many of my fans connected with Giant in My Heart on a deeper and more personal level than Hideaway.",
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"key":"“They didn’t want to create any kind of new strategy, least of all for a ballad,” she says. “Behind my back, they remixed it, and didn’t send me the remix. They put a bass and a drum beat behind it. I found out at the last minute and I couldn’t believe that they did that without my knowledge.”",
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"key":"“We agreed a deal for a single EP and two albums,” says Kiesza today. “With Hideaway No.1 and blowing up everywhere, I was being told, ‘You’re going to be the biggest star in the world… you’re the next this, you’re the next that.’ That was exciting – as it would be for anybody.”",
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"original":"â ⁇ With Hideaway No.1 and blowing up everywhere, I was being told, â ⁇ Youâ ⁇ re going to be the biggest star in the worldâ ⁇ youâ ⁇ re the next this, youâ ⁇ re the next that.â ⁇ That was exciting â ⁇ as it would be for anybody.â ⁇ ",
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"alt":"â Together with Hideaway No.1 and blowing everywhere, I was told,â Ã lYouâ t going to be the biggest star in the worldâ â luck youâ s next this, youâ loudlyâ luckily.â lucky that was exciting â luckily as it would have been for anyoneâ.",
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"key":"“When things are successful in this business, people start to change – they start to grab, and they show their true colors. And if something like Hideaway goes so quickly, it can change immediately.",
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"original":"â ⁇ When things are successful in this business, people start to change â ⁇ they start to grab, and they show their true colors.",
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"key":"“When things are successful in this business, people start to change – they start to grab.”",
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"key":"“[Giant In My Heart] researched poorly despite Shazaming at No.1, and they stopped plugging it, almost as soon as it began.”",
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"original":"â ⁇ [Giant In My Heart] researched poorly despite Shazaming at No.1, and they stopped plugging it, almost as soon as it began.â ⁇ ",
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"key":"“everyone at the label took the glory for its success.”",
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"key":"“one day, when I was in the studio, I got a text which said: ‘I don’t think your vision for you is in alignment with ours.'”",
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"original":"â ⁇ one day, when I was in the studio, I got a text which said: â ⁇ I donâ ⁇ t think your vision for you is in alignment with ours.'â ⁇ ",
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"key":"“when you take an artist and you roadblock their creativity, you are destroying them.”",
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